COMPASSION

Affirmation of life is the spiritual act by which man ceases to live thoughtlessly and begins to devote himself to his life
with reverence in order to give it true value.
— Albert Schweitzer

3/31/2011

Picasso and Cubism


Cubism was a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque., that revolutionized European painting and sculpture, and inspired related movements in musicliterature and architecture.




Three Musicians (1921),Museum of Modern ArtThree Musicians is a classic example of Synthetic cubism.


"Painting is freedom. If you jump, you might fall on the wrong side of the rope. But if you're not willing to take the risk of breaking your neck, what good is it? You don't jump at all. You have to wake people up. To revolutionize their way of identifying things. You've got to create images they won't accept. Force them to understand that they're living in a pretty queer world. A world that's not reassuring. A world that's not what they think it is."

~ Picasso as quoted by Kahnweiler in "The Rise of Cubism".





Cubism

In cubist artworks, objects are broken up, analyzed, and re-assembled in an abstracted form—instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Often the surfaces intersect at seemingly random angles, removing a coherent sense of depth. The background and object planes interpenetrate one another to create the shallow ambiguous space, one of cubism's distinct characteristics.



Les Demoiselles d'Avignon (The Young Ladies of Avignon, and originally titled The Brothel of Avignon) is a large oil painting of 1907 by the Spanish artist Pablo Ruiz Picasso (1881–1973).


Around 1906, Picasso met Matisse through Gertrude Stein, at a time when both artists had recently acquired an interest in primitivism, Iberian sculpture, African art and African tribal masks. They became friendly rivals and competed with each other throughout their careers, perhaps leading to Picasso entering a new period in his work by 1907, marked by the influence of Greek, Iberian and African art. Picasso's paintings of 1907 have been characterized as Protocubism, as notably seen in Les Demoiselles d'Avignon, the antecedent* of Cubism.


The Demoiselles is generally referred to as the first Cubist picture. This is an exaggeration, for although it was a major first step towards Cubism it is not yet Cubist. The disruptive, expressionist element in it is even contrary to the spirit of Cubism, which looked at the world in a detached, realistic spirit. Nevertheless, the Demoiselles is the logical picture to take as the starting point for Cubism, because it marks the birth of a new pictorial idiom, because in it Picasso violently overturned established conventions and because all that followed grew out of it.


Some believe that the roots of cubism are to be found in the two distinct tendencies of Cézanne's later work: firstly to break the painted surface into small multifaceted areas of paint, thereby emphasizing the plural viewpoint given by binocular vision, and secondly his interest in the simplification of natural forms into cylinders, spheres, and cones.
However, the cubists explored this concept further than Cézanne; they represented all the surfaces of depicted objects in a single picture plane, as if the objects had all their faces visible at the same time. This new kind of depiction revolutionized the way in which objects could be visualized in painting and art.



African Fangmask similar in style to those Picasso saw in Paris just prior to painting Les Demoiselles d'Avignon

*An antecedent is a preceding event, condition, cause, phrase, or word. 


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