Revered for the intensity of his style, Monet understood and valued highly the immense power that color and paint application have in a painting, and he employed these stylistic elements in Garden at Giverny to further enhance the subject matter and composition. The texture of the brushstrokes and the vibrant hues found within the piece establish a sense of space and facilitate an entryway into the paint and scenery; the beautiful blue, green, and orange tones attract the eye to the pathways that lead the viewer through the canvas. The shapes and line, resulting from the strong, quick brushstrokes and layered colors of Monet's palette, do not have the effect of making the work appear unpolished and rough, but rather they seem to render a scene that is balanced, enhanced, and full of vivacity, creating a pleasing dichotomy between a sense of motion and spontaneity and a loose structure created by the lines on the canvas. The equilibrium and cohesion created by the horizontal and vertical lines of the paths and trees are joined by the unity found in the repetition of colors and textures throughout the work, and the composition and perspective provided in this painting generate a scene that exudes feelings of quiet content, solidarity, and accord.
Combining his passion for both art and the natural world, Monet's paintings of Giverny capture his newfound contentment with his life as well as the progression of his style. His broad treatment of his surroundings is one of the most provoking elements visible throughout all his artwork, and in Garden at Giverny, he continues to enthrall the viewer with the multifarious possibilities for interpretation of its deep meaning. The image of his garden, bursting with vegetation, provides a basic structure onto which he can impose the subtleties of his personal opinions.
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The Above is an Excerpt
Source: http://homepage.mac.com/kmcspadden/GardenatGiverny.htm
This paper recieved the Phi Beta Kappa Freshman Seminar Award for Outstanding Creative Work.
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